Richard Leacock

On the film, "Louisiana Story;" I saw that when we were using small cameras, we had tremendous flexibility, we could do anything we wanted and get a wonderful sense of cinema. The moment we had to shoot dialogue--lip sync--everything had to be locked down, the nature of the film changed. Show less «

To hell with cinema. To hell with television. If I can make something with a video camera and show it to a few friends on DVD, what more do I want? The only trouble is, it's a bad way to make money. Show less «

I made Happy Mother's Day because I was broke, but when I saw what was happening to this family, I got really interested. The Saturday Evening Post editor loved it, but the publisher-producer did not like it. So, it got changed into this film about how nice it is to have quintuplets, and it was sponsored by a baby-food company. Show less «